To record the Console Mix, we need to patch Mix A Left and Right into unused DAW inputs. ![[Console Mix Down .excalidraw.svg]] In ProTools, you cannot record onto a track without selecting an output. This step requires caution. If you choose an output on the console that routes to Mix A, you risk creating a feedback loop, which could damage the ears of anyone within earshot of the signal![](https://lh7-rt.googleusercontent.com/docsz/AD_4nXfECUhQpxZmQci2nuWC0D67hLs0AP_DzTO2WtHxEQonMg3CrPeP3jBcu_DiAy3RsIsi70lTH61DNhL7jcS-H6s17s36W1SPFGZpw3FzMhKyvOXuIuGS1qz7IdUozIvgzsaeibBgNPLR29Sg7K4pGfz-xA?key=jFcmygXAUEmBu2pu1Y1_Uw) **Make sure that the console channels receiving the selected DAW outputs are not set to Mix A on their faders, or it will cause feedback.** ![](https://lh7-rt.googleusercontent.com/docsz/AD_4nXeF-29rtQOyv12YDow-GFJ40fqq0hSsKpqz1gzFbUOL5PsbJCKw_l1v6U-7QYW42fshVrnS4l3QcEIeUaLqD-Kt1MZ6zqoz3FBkCyBQAe-CMuokuffzc_9flb_g11y2_aB_ryuliTeei1-nzjbMru8vXcY?key=jFcmygXAUEmBu2pu1Y1_Uw) Finally, set the DAW Output to External A4-IN, Left Right. We won't be listening to the outputs on the specific channels; instead, we'll use the External Input circuit. You'll notice activity on the channel strip because the DAW outputs are half-normalled to the Monitor Inputs. However, adjusting the fader level won't impact what we hear through the External Input. ![](https://lh7-rt.googleusercontent.com/docsz/AD_4nXctq0jHUaAAAFlvHn3_r4KlM9tALsFhYE9wwUg2uxBltQwOLqqmYpRBsnbBKAPNRGJq9isNug8JKDVXVrLoZsMU4nOEGzpULf7UtgLSUF5KI7cZ4HcAFuz1QsIIfSG80UvaDqhqpm72Kjf7XQMRTU1kePc?key=jFcmygXAUEmBu2pu1Y1_Uw)![](https://lh7-rt.googleusercontent.com/docsz/AD_4nXep5N7Jqd48bklWYql200sR5rH37ZuPLMVX9RkEenr2MbYDFnh8WX3Xdh3MQJukaJ5IHOfEJqNFnhoL2PvJVOVufuUxNdvEfcB-zRmAkUHmW9-Wf0u6j05WLJ0udVyUNlF_R0a9Ao5zmiyQfqGrwQvx5Pw-?key=jFcmygXAUEmBu2pu1Y1_Uw) Switch to External A in the monitor section to hear the output from ProTools after it has passed through the computer.