# Tuesday, October 21st - Written Midterm - Tuesday, November 4th - Central Routing Panel - Basic SSL operation - Basic Channel Strip Operation - Basic Patchbay Operation (4 steps to record) - # Tuesday, October 7th - Check In - Midterm Homework Assignment will be given on Thursday, but it will be a mixing assignment. - Lecture - Compression Review - [[1. - Compression - Module Intro -]] - [[10. Studio Compressors]] - Difficult secondary concepts - Hardware Insert Patching - [[ProTools Hardware Insert Patching]] - Printing Methods - [[4. AudioSuite Render]] - [[3. Commiting a Track]] - Lab - Record AB using session setup # Thursday, October 2nd - Check In - Gabe Session Today - Stay tuned for AB's session on Tuesday - Setup Sheet Update - Example Setups on last tab - Stay tuned for Laminated Setup Sheets - Lecture - 4 Steps of Recording - Step 2: - When does a preamp NOT have a channel strip - What preamps do we have? - [[1 . Studio A Outboard Gear]] - What are Track Busses - Track Busses are Post Fader - Track busses feed DAW Inputs - - Split Console Workflow, old school method - [[4 . Engaging Different Circuits]] - [[5 . Metering Different Circuits]] - # Tuesday, September 30th - SSL Board Mixing Review - Focus: Review what we already have learned, but in the context of the board - EQ - What is EQ? - What are the frequencies within a sound?' - [[4. Timbre - Perceiving the Frequencies Within a Sound]] - How to engage board EQ - Compression - What is Compression? - [[1. - Compression - Module Intro -]] - Parallel Compression - Gate - What is Gate? - How to practice outside of class - Come to office hours and tutoring hours every day - Download a channel strip plugin # Thursday, September 25th - Jake Viramontez session - Use of compression # Tuesday, September 23rd - [[Glyn Johns Method]] # Thursday, September 18th - Akxel Session - AB Drums - Kimberly Vocals # Tuesday, September 16th - Record Kiara's Session - Session Overview - Are we going to be overdubbing, or recording everything all at once? - Instruments - Piano - [[Piano Microphone Techniques]] - Do we want an intimate sound? - Is there a particular register we are trying to emphasize? - Do we want the sound of the room? - Drums - Do we want a deader, dry sound? - Use the drum room - Do we want a wetter live sound? - Use the main tracking room and use room mics - Do we want a setup that uses fewer microphones or more microphones? - Guitar - Is it acoustic or electric? - Do we need to do the Radial SGI method? - Mixing - [[1. - Compression - Module Intro -]] - Is there a specific compressor we would like to use? - Let's try them all! - Is there a specific EQ we would like to use? - # Thursday, September 11th - Mix Big Band # Tuesday, September 9th - Mix Jake's Session # Thursday, September 4th - Record Jake's Session # Tuesday, September 2nd - Stereo Mic'ing Techniques for SDSU Music Student # Thursday, August 28th - [[4 . Engaging Different Circuits]] - [[5 . Metering Different Circuits]] - [[3 . The Central Routing Panel]] - [[11 . Single Engineer Session Workflow]] - [[03 . Foldback and Talkback Patching]] -  [[06 . Exercising Channels]] - Mic Shootout - - Classic Microphones - [[5. A Microphone's General Operational Principle]] - Dynamic - SM7B * - RE-20 * - [[Beta 52]] - Often used for kick drum mic'ing due to its frequency response in emphasizing 3K - Audix D2, D4, D6 - Ribbon - Fathead * - Gomez * - Royer 121 - Is there a noticeable difference to Royer 122? - Coles 4038 - Royer SF-24 * - Condenser - AKG 414 * - TLM 103 * - Copperhead CU 29 * - Telefunken AK 47 * - CX12 * - 47JR - U87 * - Polar Pattern: [[14. Directionality]] - Form Factors - Large Diaphragam Condensers - Small Diaphgrahm Condensers - Lavalier - - Patching Outboard Gear - [[1 . Studio A Outboard Gear]] - Read subsequent articles - Layer stuff # Tuesday, August 26th - Welcome! - Syllabus - [[Levels - Mic, Line, and Speaker]] - [[01 . Four Steps of Recording]] - The diagram - Review all signal flow for session setup sheet - Activity: - Put items in correct order: - Break - Come into Studio - Design Mic Shootout - 3 types of microphones