# Wednesday, September 24th - End of Class Evaluation - Studio Etiquette - Being respectful at all times, understanding the environment for learning. - FOH Group - Signal Flow - 4 matrix mixes configured with sensible crossover frequency - Sub-groups grouped according to instrument type - Feedback Prevention - Identified problematic frequencies using analysis tools: - RTA - Piano note identification (Middle A is 440 Hz) - Frequency chart recognition or mathematically-guided memorization - X32-Edit - Colors need to be applied - Console organization - X32 Edit, required for ultra efficient setup - Scribble strip was inaccurately named (everything was offset by one) - EQ - Low pass filters weren't uniformally engaged - Musicians and Stage Hands - Well rehearsed - Arrangement had a lot of structure; harmonically, melodically, and rhythmically - Equipment could be tested more beforehand for maintenance adjustments - Monitors Group - EQ - Changing the filter shape to most effectively cut low end - Changing the filter shape to most effectively notch problematic frequencies [[Gain Preamps to Nominal Gain]] - Organization - - Signal Flow - - - Great job setting - Gain staging was off - - # Wednesday, September 17th - Matrix Mixes - Console Workflow - [[2. FOH Group]] - [[3. Monitors Group]] - [[4. StudioLive SIII Sub Groups]] - [[4. Musician Group]] - # Wednesday, September 11th - X32 - [[2. X32 Routing and Digital Patching]] - Presonus Studio Live - [[StudioLive SIII Routing and Digital Patching]] - # Wednesday, September 3rd - Review Analog Mixers - Evaluating last class - What went well/could be improved? # Wednesday, August 26th - Welcome! - [[Levels - Mic, Line, and Speaker]] - [[Audio Science/Audio Equipment Theory/Audio Jacks]] - [[1. Live Sound Overview]] - Types of Microphones for Live Sound - [[1. - Microphone Basics - Module Intro -]] - [[1. X32 Basic Layout]] - Apply